This strict adherence to character and narrative logic gives the series, and especially this final film, the feeling of clockwork. The performances ring true in large part because the characterization is true. The actors portraying these characters are all good, but they are all helped considerably by the logic of their character arcs. Everyone does what a person like them would do in this situation in order to survive. Unlike in so many other film series, none of the characters’ actions ever seem contrived. To The Hunger Games series’ credit-and this applies to both the books and the films-Suzanne Collins and the filmmakers who adapted her story for the screen take this dystopian world to its logical ends. Cinematically, it’s a fine end to this fine film series. Every once in a while, it’s touching too. Mockingjay, Part 2 is terrifying in moments and tragic in others. Katniss and a team of highly trained soldiers set off through the booby-trapped capitol to kill Snow, discovering more and more disturbing things about this war and their part in it along the way. Peeta is intent on killing Katniss, and Katniss is intent on killing President Snow. This final entry in the series picks up immediately where the first part of this film left off. No wonder so many former Hunger Games victors are hooked on morphine. Happiness in Panem comes in the smallest of doses. This story is set in a world where everyone has been okay with the ritualized slaughtering of children for the past 70 years, and the “good guys” freely refer to their moral-boosting media spots as “propos,” short for propaganda, indicating they are willing to manipulate the masses by any means necessary. If you thought this series was going to end triumphantly, you haven’t been paying attention. One of the best science-fiction franchises in recent history comes to its melancholy conclusion in The Hunger Games: Mockingjay, Part 2.
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